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DTSTART;TZID=America/New_York:20210615T190000
DTEND;TZID=America/New_York:20210615T200000
DTSTAMP:20250924T020031Z
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SUMMARY:History Alive: Nellie Bly
DESCRIPTION:Nellie Bly\, adventurer\, inventor\, and ground-breaking investigative reporter was the pen name of Elizabeth Jane Cochrane. In 1887\, to be hired as a reporter with Pulitzer’s New York The World\, she feigned insanity to get committed to a lunatic asylum with no guarantee of release. Her subsequent articles on the conditions and treatment of the “patients” led to improvements in the care for the mentally ill. In January of 1890\, she bested the time of the fictional Phileas Fogg from the book\, Around the World in Eighty Days.  \nThis is part of the History Alive program from the WV Humanities Council. \nNellie Bly portrayed by JoAnn Peterson of Kingwood. \nRegistration required in advance \n			\n						REGISTER HERE (opens June 7)
URL:https://festivallcharleston.com/event/historyalive/
LOCATION:KCPL Zoom\, Charleston\, WV\, United States
CATEGORIES:other-events,theatre
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DTSTART;TZID=America/New_York:20210614T183000
DTEND;TZID=America/New_York:20210614T210000
DTSTAMP:20250924T020033Z
CREATED:20250924T020033Z
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SUMMARY:Live Music Bingo
DESCRIPTION:Come out and support Local Music and Local Business with a fun\, interactive\, game of LIVE MUSIC BINGO! \nJune 14 features: Three’s Company Blues. \nJune 21 features: TBD \nFree to play! Prizes Awarded!1 \nA mash up of live music from local musicians and bingo! Instead of letters and numbers being called out\, you’ll mark spaces on the provided bingo cards based on songs and random happenings during the musician’s performances. The best way to see how it works is to come out and try it yourself. \n \nThanks to our Sponsor
URL:https://festivallcharleston.com/event/live-music-bingo/
LOCATION:Red Carpet Lounge\, 308 Elizabeth St.\, Charleston\, WV\, 25311\, United States
CATEGORIES:music,other-events
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DTSTART;TZID=America/New_York:20210613T190000
DTEND;TZID=America/New_York:20210613T213000
DTSTAMP:20250924T015933Z
CREATED:20250924T015933Z
LAST-MODIFIED:20250924T015933Z
UID:1361-1623610800-1623619800@festivallcharleston.com
SUMMARY:Paul Thorn\, Amythyst Kiah\, John Ellison\, and more on Mountain Stage
DESCRIPTION:This live music radio show is produced by West Virginia Public Broadcasting and distributed by NPR Music to 280 public radio stations nationwide. Become a part of the small\, but live audience (or tune in to the livestream) when guest host Kathy Mattea welcomes Paul Thorn\, Amythyst Kiah\, John Ellison\, and more. This show will be held at 25% capacity with “pod” seating. \n  \nOr watch the live stream! \nMountain Stage livestreams are free\, however there are some incredible folks out there who’d like to show their support through a donation-based\, pay-what-you-want “ticket” for the livestream. You’ll be able to catch the show from the comfort of your home (or wherever you wish) Sunday\, June 13th at 7pm ET at mountainstage.org. \n			\n						CLICK HERE FOR TICKETS\n					 \nPaul Thorn has created an innovative and impressive career\, pleasing crowds with his muscular brand of roots music – bluesy\, rocking and thoroughly Southern American\, yet also speaking universal truths. Among those who value originality\, inspiration\, eccentricity and character – as well as talent that hovers somewhere on the outskirts of genius\, the story of Paul Thorn is already familiar. Born in Tupelo\, Mississippi\, raised among the same spirits (and some of the actual people) who nurtured the young Elvis generations before\, Paul Thorn has rambled down back roads and jumped out of airplanes\, worked for years in a furniture factory\, battled four-time world champion boxer Roberto Duran on national television\, performed on stages with Bonnie Raitt\, Mark Knopfler\, Sting\, and John Prine among many others\, and made some of the most emotionally restless yet fully accessible music of our time. He’s also appeared on major television shows\, received numerous National Public Radio features and charted multiple times on the Billboard Top 100 and Americana Radio Charts. \nAmythyst KiahWith an unforgettable voice that’s both unfettered and exquisitely controlled\, Tennessee-bred singer/songwriter Amythyst Kiah is redefining the limits of roots music. Growing up a Black and LGBTQ+ woman in the Bible Belt\, she experienced social anxiety\, grief\, alienation – and ultimately\, the hard-won triumph of total self-acceptance. Kiah’s debut for Rounder Records\, the standout track “Black Myself\,” was originally recorded with Our Native Daughters. It earned a 2020 GRAMMY Award nomination for Best American Roots Song and won Song of the Year at the 2019 Folk Alliance International Awards. Kiah’s new version of “Black Myself ” – radically reimagined with the help of producer Tony Berg (Phoebe Bridgers\, Amos Lee\, Andrew Bird) – represents a stunning expansion of her sound into the world of iconoclastic alternative rock. \nJohn Ellison\, charismatic creator of the R&B standard “Some Kind of Wonderful”\, will knock your socks off with his trademark energy\, soulful voice and award-winning lyrics. He impresses with his music and voice and is one of the few remaining soul and blues legends that have made an essential contribution to the development of blues\, gospel\, soul\, and funk music in a time of great social change. \nJohn received no fewer than 5 lifetime BMI achievement awards and was inducted in the West Virginia Music Hall of Fame and has played with\, written for\, and performed alongside Nina Simone\, James Brown\, The Temptations\, Wilson Pickett\, Grand Funk Railroad\, Huey Lewis & the News\, Buddy Guy\, Joss Stone etc. \nJohn Ellison is Some Kind of Wonderful! \n  \n  \nFor the last 37 years\, Mountain Stage with Larry Groce has been the home of live music on public radio. Produced by West Virginia Public Broadcasting and distributed by NPR Music\, each two-hour episode of Mountain Stage can be heard every week on nearly 300 stations across America\, and around the world via NPR Music and mountainstage.org. Recorded in front of a live audience\, Mountain Stage features performances from seasoned legends and emerging stars in genres ranging from folk\, blues\, and country; to indie rock\, synth pop\, world music\, alternative\, and beyond. \nThank you to our generous sponsors\n\n\n\n						Previous\n						Next \nHave a few minutes to help us out? We’d love to hear from you! Take our survey below – and of course want to hear more about any event ideas and what you’d like to see at future FestivALL events! \n			\n						Take Our Survey
URL:https://festivallcharleston.com/event/mountainstage2021/
LOCATION:The Culture Center\, 1900 Kanawha Blvd E\, Charleston\, WV\, 25301\, United States
CATEGORIES:music
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DTSTART;TZID=America/New_York:20210613T150000
DTEND;TZID=America/New_York:20210613T160000
DTSTAMP:20250924T020008Z
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SUMMARY:Contemporary/Lyrical Dance Class
DESCRIPTION:Join River City Youth Ballet Ensemble teacher\, Emily Hanna for a ballet-based contemporary class that encourages freedom of movement and expression.  \nFor middle and high school students and adults. \n		About the instructor: Emily Hanna Emily began her study of dance at the age of 3 in Charleston\, WV. At a young age\, she showed a talent and passion for classical ballet. While she continued her studies of jazz\, contemporary\, and lyrical\, her primary focus became ballet and pointe. It was during this time that she joined the American Academy of Ballet\, which led to her invitation to join the Charleston Ballet\, under the direction of Kim Pauley. After several seasons with the Charleston Ballet she moved to Carlisle\, PA to further her study of ballet with the Central Pennsylvania Youth Ballet\, under the direction of Marcia Dale Weary. Her performance credits include Paquita\, The Nutcracker\, Sleeping Beauty\, and Les Sylphides\, among others. Emily attended dance intensives in Saratoga Springs\, NY (Summer home of the New York City Ballet); Myrtle Beach\, SC\, under the direction of William Starrett (American Ballet Theatre)\, The Charlotte City Ballet in Charlotte\, NC and with the Central Pennsylvania Youth Ballet prior to her relocation to study in Pennsylvania full-time. Emily also studied under renowned ballet instructors David Howard\, Oleg Briansky\, Katrina Killian\, Olga Dvorovenko\, Serge LaVoie\, and Miguel Campaneria. Emily joined the faculty at River City Youth Ballet Ensemble in 2019 where she enjoys teaching contemporary and ballet classes. 
URL:https://festivallcharleston.com/event/lyricaldanceclass/
LOCATION:Magic Island\, 101 Kanawha Boulevard West\, Charleston\, WV\, 25302\, United States
CATEGORIES:dance,music
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DTSTART;TZID=America/New_York:20210612T190000
DTEND;TZID=America/New_York:20210612T203000
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SUMMARY:Virtuoso Violins from Lincoln Center\, NYC
DESCRIPTION:This event was recorded live at Lincoln Center in New York City featuring performers from the Chamber Music Society of Lincoln Center and guest pianist\, Orion Weiss. Weiss has been a soloist with the West Virginia Symphony Orchestra. Tune in for the premiere on June 12 at 7PM. The program will remain live for viewers through June 19. \n			\n						WATCH HERE ON 6/12\n					\nVIRTUOSO VIOLINS PROGRAM\nGEORG PHILIPP TELEMANN (1681-1767)Concerto in D major for Four Violins\, TWV 40:202 (c. 1720) AdagioAllegroGraveAllegroFrancisco Fullana\, Danbi Um\, Paul Huang\, Sean Lee\, violin\nRICHARD STRAUSS (1864-1949)Sonata in E-flat major for Violin and Piano\, Op. 18 (1887-88) Allegro ma non troppoImprovisation: Andante cantabileFinale: Andante—AllegroDanbi Um\, violin • Orion Weiss\, piano\n—INTERMISSION (Q&A with the artists)—\nGABRIEL FAURÉ (1845-1924)Quartet No. 1 in C minor for Piano\, Violin\, Viola\, and Cello\, Op. 15 (1876-79)Allegro molto moderatoScherzo: Allegro vivoAdagioAllegro moltoWu Han\, piano • Paul Huang\, violin • Matthew Lipman\, viola • Clive Greensmith\, cello\nChamber Music Society of Lincoln Center\nNOTES ON THE PROGRAM\nConcerto in D major for Four Violins\, TWV 40:202 (c. 1720) Georg Philipp Telemann (Magdeburg\, 1681 – Hamburg\, 1767)\nTelemann was one of the most sought-after German composers of the late Baroque. Towns and courts vied for the honor of having him as music director and he commanded a very high salary. In one famous incident\, he turned down a job in Leipzig\, forcing the disappointed city council to settle for Bach instead. Telemann spent most of his career in Hamburg overseeing the music for the city’s churches. He also had many other sources of income—he was a writer (he wrote no fewer than three autobiographies)\, he did freelance composing for other German courts\, and he published his own music. He was also tireless as a composer. In an era when composers were expected to produce vast amounts of music\, Telemann stands out for his truly immense oeuvre. Other Baroque composers produced hundreds of works but he produced thousands—the exact number is unknown but he is believed to have composed over 3\,000 compositions.\nTelemann’s wide-ranging output includes all the main genres of the time\, including concertos for many different instrumentations such as this Concerto in D major for Four Violins\, one of three for this unusual instrumentation. Baroque concertos usually included basso continuo\, an accompaniment that provides the harmonies of the piece\, but Telemann wrote about 80 pieces without continuo\, including this one. The exact occasion and reason for this particular instrumentation is unknown. The four movements\, arranged slow-fast-slow-fast\, capture Telemann’s charm\, grace\, and wit with warm harmonies and clever imitation.\nSonata in E-flat major for Violin and Piano\, Op. 18 (1887-88) Richard Strauss (Munich\, 1864 – Garmisch-Partenkirchen\, 1949)\nWhen Strauss wrote his Violin Sonata at age 24\, he was just finding his path. He was third conductor at the Hofoper in his hometown of Munich. He had recently met his future wife\, the soprano Pauline de Ahna\, who would prove to be a major source of motivation and encouragement. He had also recently returned from a trip to Italy and was inspired to try an entirely new type of composition with his symphonic fantasy Aus Italien. Strauss had had a very conservative musical education focused on Haydn\, Mozart\, and Beethoven and wrote quite a bit of chamber music in his younger years (he was a child prodigy). The Violin Sonata ended up serving as a capstone to that period in his life. After it\, he would shift his focus to big\, programmatic music—he quickly wrote the tone poems Macbeth\, Don Juan\, and Tod und Verklärung in 1888 and 1889. He would also go on to write his brilliant operas and dozens of songs but the Violin Sonata was essentially his last word on abstract instrumental music.\nAnd what an ending it is. Strauss eagerly soaked in all the competing influences of 1880s Germany. He went through a brief period of fascination with Brahms that gave way to a lasting involvement with Wagnerism. He also studied German philosophy\, including Schopenhauer and Nietzsche. The Violin Sonata came at a pivotal time when Strauss was synthesizing all these influences. The two outer movements are impassioned pleas\, full of rapid modulations and high flying melodies\, while the middle\nChamber Music Society of Lincoln Center\nmovement is a spontaneous-sounding reflection.\nQuartet No. 1 in C minor for Piano\, Violin\, Viola\, and Cello\, Op. 15 (1876-79) Gabriel Fauré (Pamiers\, 1845 – Paris\, 1924)\nThe young Fauré started down a new path in 1871 as a reaction to the Franco-Prussian War. He helped found the Société Nationale de Musique in Paris on February 25\, 1871\, whose goal was to promote new French concert music and whose motto was ‘ars gallica.’ The Société concerts gave a platform for him and his fellow members to focus on the previously-overlooked genre of chamber music from a French lens and promote it as part of Parisian cultural life. Fauré had a number of premieres at Société concerts\, including this work\, his first piano quartet\, on February 14\, 1880. After revisions to the last movement\, it was published four years later and dedicated to Belgian violinist Hubert Léonard\, a champion of Fauré and the Société in general. Though Fauré’s professional life was going well when he wrote this quartet\, his personal life was more difficult. His relationship with Marianne Viardot\, who came from a well-connected musical family\, ended when she called off their engagement in October 1877. Fauré was deeply hurt but\, not one to wear his heart on his sleeve\, little of his distraught state of mind made its way into this piano quartet except perhaps in the profound adagio movement.\nThe C minor Piano Quartet is an elegant mix of traditional chamber forms and detached French character. The standard line-up of movements—sonata\, scherzo\, slow movement\, and energetic finale— is enhanced with modal twinges\, colorful melodies\, light textures\, and distinctive rhythms. The first movement begins with a modally-inflected melody that visits beautifully distant harmonic territory in the development section before ending in C major. The second movement is a particularly French scherzo with an ethereal lightness created through tripping rhythms\, clever melodies\, and thin textures alternating between strings and piano. The third movement is a long-breathed adagio\, deeply felt and the only fully serious movement of the piece. The last movement\, like the first\, is another journey from C minor to C major with many intriguingly imaginative detours on the way. Fauré is best known for his chamber music and his songs and with this piece (along with the Violin Sonata two years earlier) he finds his mature voice in the genre—a perfect marriage of rigorous form and French style.\nProgram notes by Laura Keller\, CMS Editorial Manager © 2020 Chamber Music Society of Lincoln Center\nABOUT THE ARTISTS\nSpanish violinist Francisco Fullana has been praised as a “rising star” (BBC Music Magazine) and “frighteningly awesome” (Buffalo News). His thoughtful virtuosity has led to collaborations with conducting greats like the late Sir Colin Davis\, Hans Graf\, and Gustavo Dudamel\, who described Fullana as “an amazing talent.” Besides his career as a soloist\, which includes recent debuts with the Philadelphia and St. Paul Chamber Orchestras and the Buffalo Philharmonic\, he is making an impact as an innovative educator. He created the Fortissimo Youth Initiative\, a series of seminars and performances in partnership with youth and university orchestras\, which explore and deepen young musicians’ understanding of 18th-century music. His first CD\, Through the Lens of Time (released by Orchid Classics)\, showcases both his incandescent virtuosity and the range of his artistic inquisitiveness. The album is centered around Max Richter’s re-composition of Vivaldi’s Four Seasons\, recorded alongside the City of Birmingham Symphony Orchestra\, and has been praised by critics as “explosive”\nChamber Music Society of Lincoln Center\n(Gramophone) and “electric and virtuosic” (The Strad). He was awarded the 2018 Avery Fisher Career Grant and was a first prize winner of the Johannes Brahms and Angel Munetsugu International Violin Competitions. He is currently a member of The Bowers Program at the Chamber Music Society. A graduate of The Juilliard School and the University of Southern California\, he performs on the 1735 Mary Portman ex-Kreisler Guarneri del Gesù violin\, on loan from Clement and Karen Arrison through the Stradivari Society of Chicago.\nClive Greensmith has a distinguished career as soloist\, chamber musician\, and teacher. From 1999 until 2013 he was a member of the world-renowned Tokyo String Quartet\, giving over one hundred performances each year in the most prestigious international venues\, including New York’s Carnegie Hall\, Sydney Opera House\, London’s Southbank Centre\, Paris Châtelet\, Berlin Philharmonie\, Vienna Musikverein\, and Suntory Hall in Tokyo. As a soloist\, he has performed with the London Symphony Orchestra\, Royal Philharmonic Orchestra\, Seoul Philharmonic\, and the RAI Orchestra of Rome. He has also performed at Marlboro Music Festival\, La Jolla Summerfest\, Santa Fe Chamber Music Festival\, the Ravinia Festival\, the Salzburg Festival\, Edinburgh Festival\, and the Pacific Music Festival in Japan. Over 25 years\, he has built up a catalogue of landmark recordings\, most notably the complete Beethoven string quartet cycle for Harmonia Mundi with the Tokyo String Quartet. He studied at the Royal Northern College of Music in England with American cellist Donald McCall. He continued his studies at the Cologne Musikhochschule in Germany with Boris Pergamenschikow. After his 15-year residency with the Tokyo String Quartet at Yale University\, he was appointed professor at the Colburn School in Los Angeles in 2014. In 2019\, he became the artistic director of the Nevada Chamber Music Festival and was appointed director of chamber music master classes at the Chigiana International Summer Academy in Siena\, Italy. Mr. Greensmith is a founding member of the Montrose Trio with pianist Jon Kimura Parker and violinist Martin Beaver.\nRecipient of a 2015 Avery Fisher Career Grant and a 2017 Lincoln Center Award for Emerging Artists\, violinist Paul Huang makes recent and forthcoming appearances with the Mariinsky Orchestra with Valery Gergiev\, the Detroit Symphony with Leonard Slatkin\, and the Houston Symphony with Andrés Orozco-Estrada. During Beethoven’s 250 anniversary celebrations in the 2020-21 season\, he will perform the Beethoven Concerto with the Colorado Symphony and Eugene Symphony\, as well as the Triple Concerto with the Charlotte Symphony. Other highlights will include appearances with the San Diego Symphony\, Louisville Orchestra\, and the National Symphony of Mexico. Internationally\, he will make his debut with Heidelberg Philharmonic\, Rotterdam Philharmonic with Lahav Shani\, and return to the National Symphony Orchestra of Taiwan as its artist-in-residence. A frequent guest artist at music festivals worldwide\, he recently stepped in for Anne-Sophie Mutter at Bravo! Vail Music Festival playing Mozart’s Violin Concerto No. 4 with Chamber Orchestra Vienna-Berlin as well as a recital debut at the Lucerne Festival\, both to critical acclaim. Winner of the 2011 Young Concert Artists International Auditions\, Mr. Huang earned both bachelor’s and master’s degrees at The Juilliard School and is an alum of CMS’s Bowers Program. He plays on the legendary 1742 ex-Wieniawski Guarneri del Gesù on loan through the Stradivari Society of Chicago.\nViolinist Sean Lee has captured the attention of audiences around the world with his lively performances of the classics. A recipient of a 2016 Avery Fisher Career Grant\, he is one of few violinists who dares to perform Niccolò Paganini’s 24 Caprices in concert\, and his YouTube series\, Paganini POV\, continues to draw praise for its use of technology in sharing unique perspectives and insight into violin playing. He has performed as a soloist with orchestras including the San Francisco Symphony\, Israel Camerata Jerusalem\, and Orchestra del Teatro Carlo Felice; and his recital appearances have taken him to Vienna’s Konzerthaus\, Tel Aviv Museum of Art\, and Carnegie Hall’s Weill Recital Hall. As a season artist at the Chamber Music Society of Lincoln Center and an alum of CMS’s Bowers Program\, he\nChamber Music Society of Lincoln Center\ncontinues to perform regularly at Lincoln Center\, as well as on tour. Originally from Los Angeles\, Mr. Lee studied with Robert Lipsett of the Colburn Conservatory and legendary violinist Ruggiero Ricci before moving at the age of 17 to study at The Juilliard School with his longtime mentor\, violinist Itzhak Perlman. He currently teaches at The Juilliard School’s Pre-College Division\, as well as the Perlman Music Program. He performs on a violin originally made for violinist Ruggiero Ricci in 1999 by David Bague.\nAmerican violist Matthew Lipman has been praised by the New York Times for his “rich tone and elegant phrasing.” He has appeared with the Minnesota Orchestra\, BBC Philharmonic\, Academy of St Martin in the Fields\, Grand Rapids Symphony\, Wisconsin Chamber Orchestra\, Montgomery Symphony\, Juilliard Orchestra\, and at Chicago’s Symphony Center. Recent solo appearances include the Aspen Music Festival\, Carnegie Hall\, New World Symphony\, Seoul’s Kumho Art Hall\, and CMS’s Rose Studio. The Strad praised his “most impressive” debut album Ascent\, released by Cedille Records in 2019\, and his recording of Mozart’s Sinfonia Concertante with violinist Rachel Barton Pine and Sir Neville Marriner on the Avie label topped the Billboard Charts. He was featured on WFMT Chicago’s list of “30 Under 30” of the world’s top classical musicians and has been published in The Strad\, Strings\, and BBC Music magazines. He performs regularly with the Chamber Music Society of Lincoln Center and at renowned chamber music festivals including Music@Menlo\, Marlboro\, Ravinia\, Bridgehampton\, and Seattle. The recipient of an Avery Fisher Career Grant and a winner of the Primrose\, Tertis\, Washington\, Johansen\, and Stulberg International Viola Competitions\, he studied at The Juilliard School with Heidi Castleman and was further mentored by Tabea Zimmermann at the Kronberg Academy. A native of Chicago and an alum of CMS’s Bowers Program\, Mr. Lipman is on faculty at Stony Brook University and performs on a 1700 Matteo Goffriller viola on generous loan from the RBP Foundation.\nPraised as an “utterly dazzling” artist (The Strad)\, with “a marvelous show of superb technique” and “mesmerizing grace” (New York Classical Review)\, violinist Danbi Um captivates audiences with her virtuosity\, individual sound\, and interpretive sensitivity. A Menuhin International Violin Competition Silver Medalist\, she showcases her artistry in concertos\, chamber music\, and recitals. After winning the Music Academy of the West Competition in 2014\, she made her concerto debut performing the Walton Violin Concerto with the Festival Orchestra\, conducted by Joshua Weilerstein. Highlights of her 2019-20 season included solo appearances with the Chamber Orchestra of Philadelphia (Kimmel Center) and Brevard Philharmonic\, a national tour with the Chamber Music Society of Lincoln Center\, and debut performances at premier national series including Wolf Trap\, Cincinnati’s Linton Chamber Series\, and Chicago’s Dame Myra Hess Concerts. An avid chamber musician\, she is an alum of CMS’s Bowers Program. Her festival appearances have included those at Marlboro\, Ravinia\, Yellow Barn\, Moab\, Seattle\, Caramoor\, Moritzburg\, and North Shore. Her chamber music collaborators have included Vadim Gluzman\, Pamela Frank\, Frans Helmerson\, Jan Vogler\, David Shifrin\, and Gilbert Kalish. Admitted to the Curtis Institute of Music at the age of ten\, Ms. Um graduated with a bachelor’s degree. Her teachers have included Shmuel Ashkenasi\, Joseph Silverstein\, Jaime Laredo\, and Hagai Shaham. She is a winner of Astral’s 2015 National Auditions and plays on a 1683 “ex-Petschek” Nicolò Amati violin\, on loan from a private collection.\nOne of the most sought-after soloists in his generation of young American musicians\, pianist Orion Weiss has performed with the major American orchestras\, including the Chicago Symphony\, Boston Symphony\, Los Angeles Philharmonic\, and New York Philharmonic. His deeply felt and exceptionally crafted performances go far beyond his technical mastery and have won him worldwide acclaim. In 2019-20 he performed with orchestras from Austin to Milwaukee\, toured with both James Ehnes and Augustin Hadelich\, and performed in recital with his curated repertoire. Recent seasons have seen him in performances for the Lucerne Festival\, the Denver Friends of Chamber Music\, the University of Iowa\, the Chamber Music Society of Lincoln Center\, the Kennedy Center’s Fortas Series\, the 92nd Street Y\, and\nChamber Music Society of Lincoln Center\nthe Broad Stage\, and at Aspen\, Bard\, and Grand Teton summer festivals. He is an alum of CMS’s Bowers Program. Highlights of recent seasons include his third performance with the Chicago Symphony\, a performance of Beethoven’s Triple Concerto with the Saint Paul Chamber Orchestra\, and recordings of Gershwin’s complete works for piano and orchestra with his longtime collaborators JoAnn Falletta and the Buffalo Philharmonic. Named the Classical Recording Foundation’s Young Artist of the Year in 2010\, in the summer of 2011 he made his debut with the Boston Symphony Orchestra at Tanglewood as a last- minute replacement for Leon Fleisher.\nCo-artistic director of the Chamber Music Society\, pianist Wu Han is among the most esteemed and influential classical musicians in the world today. She is a recipient of Musical America’s Musician of the Year award and has risen to international prominence through her wide-ranging activities as a concert performer\, recording artist\, educator\, arts administrator\, and cultural entrepreneur. In high demand as a recitalist\, soloist\, and chamber musician\, she appears at many of the world’s most prestigious venues and performs extensively as duo partner with cellist David Finckel. Together\, they co-founded ArtistLed\,classical music’s first musician-directed and Internet-based recording company\, whose catalogue has won widespread critical praise. Recent recordings include a set of three Wu Han LIVE albums\,\na collaborative production between the ArtistLed and Music@Menlo LIVE labels. The latest captures her live performances of Fauré’s piano quartets from the festival. Complementing her work as a performing artist\, Wu Han’s artistic partnerships bring her in contact with new audiences in the US and abroad: she is Artistic Advisor of The Wolf Trap Foundation for the Performing Arts’ Chamber Music at the Barns series and co-founder and artistic director of Music@Menlo Chamber Music Festival and Institute in Silicon Valley. In recognition of her passionate commitment to music education\, Montclair State University has appointed her a special artist-in-residence.
URL:https://festivallcharleston.com/event/virtuoso-violins-from-lincoln-center-nyc/
LOCATION:Charleston Chamber Music Society
CATEGORIES:music
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ORGANIZER;CN="Charleston Chamber Music Society":MAILTO:chaschambmussoc@aol.com
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DTSTART;TZID=America/New_York:20210612T130000
DTEND;TZID=America/New_York:20210612T180000
DTSTAMP:20250924T020035Z
CREATED:20250924T020035Z
LAST-MODIFIED:20250924T020035Z
UID:1453-1623502800-1623520800@festivallcharleston.com
SUMMARY:WV Museum of Music Grand Opening
DESCRIPTION:The companion to the WVMHoF’s Hall of Fame Store which showcases the 56 WVMHoF inductees\, the new 3\,600 square foot Museum of Music will be filled with interactive exhibits\, memorabilia\, instruments\, archival photos\, and recordings from the WVMHoF’s extensive collection. \nLocation: 2nd Floor at the Charleston Town Center Mall \nPerformances from 2-4:30PM  \n*2016 wvmhof inductee john “some kind of wonderful” ellison*2016 wvmhof inductee bob thompson*2020 wvmhof inductee larry groce* future wvmhof inductee vince lewis* mike pushkin
URL:https://festivallcharleston.com/event/wv-museum-of-music-grand-opening/
LOCATION:Charleston Town Center\, 3000 CHARLESTON TOWN CENTER\, Charleston\, WV\, 25389\, United States
CATEGORIES:music,other-events
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